Henrik Oja, who again produces and now also gets co-writing credit, can count free jazz among his recent work here he favors a dusky, approachable jangle that puts the focus on Norlin's conversational vocals. Musically, Facit is more richly arranged than its predecessor, but also darker, with minor chords even among the fast songs.
Norlin returns to the Swedish language on her second Säkert! album, and once again her songwriting deserves to transcend cultural boundaries.
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